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When I create a TV show, it's so that I can write it. I'm not an empire builder; my writing staff is usually a combination of two kinds of people - experts in the world the show is set in, and young writers who will not be unhappy if they're not writing scripts.
I feel like the better version of myself is on paper... I'd rather have people know me on paper.
I get the 'The New York Times' and 'Los Angeles Times' thrown at my door every morning. I'll read the front page of 'The New York Times,' then the op-eds, then scan the arts section and then the sports section. Then I do the same with the 'L.A. Times.'
I'm not on Facebook, and I don't tweet, but I know plenty of people who love both.
I get nervous before openings or premieres or when someone's reading a new script, and I get nervous when my daughter isn't in my immediate field of vision.
I can't remember my dreams more than a couple of seconds after I wake up. It's frustrating because sometimes I dream that I'm watching a really good movie.
A song in a musical works best when a character has to sing - when words won't do the trick anymore. The same idea applies to a long speech in a play or a movie or on television. You want to force the character out of a conversational pattern.
Writing never comes easy. The difference between Page 2 and Page Nothing is the difference between life and death.
I'm crazy about 'Breaking Bad,' but I wouldn't know how to write an episode of it.
Don't try to guess what it is people want and give it to them. Don't ask for a show of hands. Try your best to write what you like, what you think your friends would like and what you think your father would like and then cross your fingers... The most valuable thing you have is your own voice.
I love my wife, she deserves anything and everything.
I think there are two ways to depict a family. One is what it's really like, and one is what the audience would like it to be. Between you and me, I think the second one is what I would prefer.
There are a couple of things that I'm sure people don't think are important, but I do. I don't like hair changes unless there's a reason for it. Clothing - I don't like to see an outfit worn more than one time in an hour - you can wear it again a few weeks later.
It's OK to do cute little things like kissing a turtle, but you can't kiss another person because he's a different color? Give me a break. And you have to remember, I'm from Dallas, Texas.
We do 32 episodes a season and will have shot 267 episodes by the end of the ninth season... It's impossible to sell that many episodes in the foreign market.
It's been a straight strip, I must tell you, I've enjoyed it all the way. If I'm saying things to make it sound like it's hard, hard work, it's not. It's beautiful work. It's fun work. It's everything you'd ever want to do.
I'll tell you what I miss most. What I would love to do, more than anything, is just anthologies. With an anthology you can tell any story and be in every division of television. We don't have any anthologies anymore, do we?
You know what shows today are missing? Stars.
Now I've even gotten to running out to the fan buses that pass by our house, so I can talk to the people. I think I'm trying to gather fans, frankly. They're very, very nice people - they really understand. It's fun talking to them.
When we did Dynasty, it was the clothes. I think the clothes affected every woman around the world. I got so many letters, I think we made the designer a millionaire!
I must tell you, I haven't done the drug problem that is faced by cops and people on the border. It's a hard show to do, but I think it's going to say a lot about drugs and the problems related to them. I just hope people can watch it, it's a pretty strong show.
But, I don't know, the violence, I can't even talk about. We don't do a lot of violent shows. When I started in television, breaking a pencil was a violent act.
A show that no one thought had a chance has just finished its fifth year: Charmed. I think it's tougher for the younger networks, so I think they have a little more patience for the sake of the show. But who knows?
You can't predict a show, that is the damndest thing, you can't predict if a show is going to work or not until it's on the air.
But it's true, when you see some television, you carry it with you. It's like 90210. Tell me what young shows were being done then... We were thrilled about the ratings around the world.
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