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Anyway, the sort of love that will not wait is probably best to pass by.
I feel more influenced in my own work by dreams than I do by other writers' works in a way. Or by popular culture, movies - what else is there to write about than love and loss?
I think love is a huge factor in fiction and in real life. Is there a risk? Always. In fiction and in life.
I don't have kids, a mortgage, or a car. That has let me hold out for the jobs I want to do, and to sit in a cold room in the winter with fingerless gloves, writing.
The first time you go on holiday is the test of a relationship, when you really find out if you're compatible or not. You find out what's annoying about that person, and whether or not you're willing to put up with that because you love them and you don't want to be alone.
I love doing comedy, and that's the thing I will always go back to, really, but I'd love to have the freedom to do sort of 'meaty' roles but also have the freedom to do the sort of films I want to make, like what Woody Allen does. You forget he's funny because you're so gripped by the story, but they still make you laugh.
What interests me is whatever it is that allows the heart to continue to yearn for something the intelligence knows is impossible to have: a lost love, a shelter from life's blows, the return of a time past, even a connection to the dead.
I've got to hear the rhythm of the sentences; I want the music of the prose. I want to see ordinary things transformed not by the circumstances in which I see them but by the language with which they're described. That's what I love when I read.
I love a well-plotted story. But I'm just not that kind of writer, and it's not necessarily by choice. When I manipulate plot, I feel I lose authenticity.
I believed in fictional characters as if they were a part of real life. Poetry was important, too. My parents had memorized poems from their days attending school in New York City and loved reciting them. We all enjoyed listening to these poems and to music as well.
I loved a lot of the romantic composers.
I was on the beach, and I was just thinking to myself that I have no one place where I actually feel like I'm at home. I came up with the idea of having no roots - never being grounded to a certain place but having your home with people who you love.
I love writing about things I know, and I like to be very honest in my music.
Home, for me, is with the people who I really love - whether that's in England with my family, Ireland with my relatives, or Germany and Canada with my friends.
I love spending time in England, whether it's for writing, producing, or seeing my parents and siblings.
We always watch 'The Polar Express.' I love that movie; that's a very, very nice Christmas tradition that we have.
A lot of labels always feel the need to tell you how they think the music should be marketed and what songs work best where. I say make music you love doing, come up with a strategy, and put it out there.
I'm putting out music that I love, and they're basically just stories of my life and how I try and teach myself to think about things. They're kind of like notes to self, basically.
I got interested in reading very early, because a story was read to me, by Hans Christian Andersen, which was 'The Little Mermaid,' and I don't know if you remember 'The Little Mermaid,' but it's dreadfully sad. The little mermaid falls in love with this prince, but she cannot marry him because she is a mermaid.
I much preferred Latin to Greek. I loved the language being such a pattern that you could not shift a word without the whole sentence falling to pieces.
I love every minute of my work.
I just think Brian d'Arcy James is a dream come true. I've known of him ever since I saw him in 'Titanic,' and I fell crazy in love with him at that moment.
I have fallen deeply in love with songs - musical theatre songs included - over the years, and this experience has taught me to hear and honor the writer's voice in my soul.
I love having a basement.
I would love to play Mary in 'Long Day's Journey Into Night' or 'Virginia Woolf' or a comedy - just, like, a slapstick comedy.
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