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I wasn't mentally prepared to take care of them, I was focused on my career. And then when I got to be in my 40s and I thought about having kids, I wasn't able to have kids naturally. I don't regret it.
I won't apologize for choosing my career over kids.
Sunday is like this entertainment scrum for me, because I've only got a day, one day of fun. So I want to have brunch, and I want to see a movie, and I want to watch 'Game of Thrones,' and I'm trying to watch 'The Sopranos' from the beginning, and I want to play four hours of video games. So, it's, like, as regimented as my work life.
I have a lot of good girlfriends that I really love, but you know, most of my close friends are men.
I was always a theatrical kid.
I acted out a lot. I was very nerdy. I was very isolated, which I made up for by kind of talking and trying to entertain people and get them to like me, so I did theatre and improv in high school and college, but always as a hobby.
I've always been an outsider.
Not only was I the only black kid and the only poor kid, but my parents were transcendental meditation devotees, and I live in an ashram for a good portion of my childhood.
I'd like to provide an SAT word in everything I do.
My hands are delicate and elegant, thank you very much. They're well-kept; my nails are clean.
If you look at shows like 'Def Comedy Jam' in its heyday, there were so many really funny, talented black comics that never would have gotten on that show because they just weren't doing comedy that fit that mold.
The only way I was going to be funny was if I was myself, and either you liked it, or you didn't. Either you got on my train, or you didn't. Freeing myself of this idea that I had to fit a certain mold was when I was able to be my funniest.
It's always been the genres that fascinated me. I think great action movies and great thrillers are transformative.
I remember leaving the first 'Matrix' movie feeling completely radicalized, completely changed. I think we all, from our ordinary lives, like to think about putting ourselves into these extraordinary situations and wonder how we'd respond.
I see the first 'Bourne' movie as really kind of a fulcrum in changing the modern action film, where things are really gritty and really character-driven. Think about how the entire Bond franchise was completely radicalized by Bourne.
Chris Parnell's a genius, so he'd be amazing on 'Who's Line.'
I'm surrounded by geniuses, which is really not good for my own personal self-esteem!
Dartmouth represented a great opportunity. I wanted to go to the best possible school I could go to.
I didn't mind being in a school with a small African-American population. The African-American-community was very tight, and that was great. But I also wanted to interact with other types of folks.
Every culture is very important. Dartmouth has always been dedicated to diversity of culture.
I tell jokes, chat with people, and make stuff.
I think people assume that because I talk the way that I talk that I grew up with money, and then I've had to say, 'No, I grew up poor.' And then I was like, 'Why do I have to play this game where the only black experience that's authentic is the one where you grew up in poverty?' I mean, it's ridiculous.
God, I mean I had so many people tell me, 'What you're doing doesn't work.' I used to have to get on stage and apologize for talking the way that I speak.
If you have a secret, and it's embarrassing to you, when you tell that story - you own it. It becomes yours, and no one can use it against you.
If you have an embarrassing story, and it's a source of shame, keeping it in just compounds the shame and turns the story into something poisonous. And if someone knows about it, then it can be used against you.
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