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'You're Ugly Too' isn't a comedy, but it has a lightness of touch with a hard edge. But it's essentially a warm story tinged with a bit of melancholy in the great Irish tradition. I'm very proud of that film.
I've made a point of trying not to play the same part and of moving between theatre and film and TV. The idea is that by the time you come back, you have been away for a year, and people have forgotten you. If you like having time off, which I do, that's a good career strategy. Or at least, it's my strategy to keep my head together.
So-called reality TV, which dominates British channels, is destroying what made it cherishable to me and lots of others in the first place. I loved Alan Clarke, Ken Loach and Alan Bleasdale's work. In fact the first TV dramas I ever saw were 'Screen Twos' produced by David Thompson, who also produced a lot of Alan Clarke.
The first time I played a killer, in the 1997 film 'Mojo,' I went to my local video shop and got out a video of real executions and a history of the Third Reich. The guy in the shop was giving me a look. I thought this would help, but I don't think it made any difference, and I don't want to see any more executions.
I've enjoyed working on the TV series that I've worked on, in particular something like 'The Wire,' where there was so much time to tell the story and develop a character. I learned from that that it's best not to lay all your cards on the table straight away.
When I was a teenager, the actors I was really into were Mickey Rourke and Sean Penn. I saw 'Rumble Fish' on my 16th birthday, and around the same time, it was 'Falcon and the Snowman' and 'Bad Boys' from Sean Penn.
Because work takes up a lot of time, you have to choose your moments for really letting rip. I hang out with my friends and my family and I spend time with my kids when I'm not working. They don't see my being an actor as exotic. For them, it's just an everyday thing. Sometimes it's amusing to them and other times, embarrassing.
Becoming a father has made my life a lot more interesting. It's like everything slows down because time goes slower, and you notice that you're actually awake for so many more hours. Your waking hours elongate because you're doing things at a child's pace.
It's nice to have a few names. I use a few names myself. I use a few different surnames. I call myself James sometimes. I actually use my mother's name as a professional name. But if someone calls me Mr. Murphy or Mr. Gillen, I don't like that. I don't like being called 'mister,' and I don't like being called 'sir.'
My own rapping skills are quite good, actually. You get this thing, I think it's called Songify or AutoRap, and you talk into them, and they auto-tune it and make it into a quite interesting musical number. And I got one where it builds it into a rap.
I don't like DVD extras. No. Especially when they do things like put out alternative endings? I find all of that a little bizarre, because there should only be one ending. I don't like to be told, 'Oh, we could have had it this way,' for the director's cut.
Life is hard for everyone. That's why there's such a nice reward at the end of it.
Genetics play a huge part in who we are. But we also have free will.
I mean, I've been stupid in the past, and I've learned from that.
I would love, more than anything, to do an out-and-out farce with huge physical energy. Just because you're from the minimalist school, it doesn't mean you can't go big.
My thing about looking good is that it should be the character. If I'm playing a character who's concerned about his body - an athlete, say - I'll get in shape. If I'm playing a character who doesn't or wouldn't, I don't. I almost never get in shape for a movie, even though I know it would be a good career move.
I like the level of fame that I have. You get nice tables in restaurants sometimes, but fame isn't something that I find comfortable.
I think my being such a nomad let me into acting. I was always having to create a new image whenever we moved.
I can't control how people are going to react. I try not to worry about what I can't control.
Really, most of us just focus on what's in front of us. We're too busy putting out the fires of everyday life.
I get to do interesting roles and make a living.
I loved working with Meryl Streep twice and I've gotten to work with my friend Liam Neeson on several occasions.
I think there's a down-to-earthness with Midwesterners and with people from the Midlands - which is where my family is from - in Ireland.
You should learn to be happy with what you have. Besides, the fact that I'm not a huge star has allowed me to pick and choose the roles I want to do, not the ones some person sitting in a studio office thinks I should do.
I'm not a city kind of guy. I'm happiest when I'm tromping through the woods. That's why I don't live in Los Angeles. Being physically away from Hollywood probably loses me a few jobs, but the best ones seek me out.
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