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To survive, China had to open up to the West. It could not survive otherwise. This was after many millions have died of hunger in a country that was like North Korea is today. Once we became part of global competition, we had to agree to some rules. It's painful, but we had to. Otherwise there was no way to survive.
For all the tough talk about China during the presidential debates, Romney and Obama evaded any mention of China's suspect human rights record, corruption, and rule of law. By not tackling these controversial topics, the candidates are protecting a strategic partnership with China at the expense of essential human values and beliefs.
To protect the right of expression is the central part of an artist's activity... In China many essential rights are lacking, and I wanted to remind people of this.
So maybe there are three parts in my life - earlier background living in exile in Xinjiang in a very political circumstance, then later the United States from 24 to 36 years old. I was quite equipped with liberal thinking. Then the Internet. If there is no Internet, of course, I cannot really exercise my opinion or my ideas.
If we all say the same thing, then I think the government has to listen. But because no one is saying it, I become singled out, even though what I'm saying is common sense. It's very essential values that we all have to protect. But in Chinese society, people are giving up on protecting these values.
China is an old nation with a colourful history. Its booming economy has triggered an appetite and a curiosity around the world for its art and culture, one that continues to grow. I can, however, tell people that it is a show with no actor.
The Olympic Games are highly commercialised. They purport to follow the traditions of an ancient athletics competition, but today it is the commercial aspect that is most apparent. I have seen how, through sport, cities and corporations compete against each other for financial gain.
Beijing's Olympics were very grand - they were trying to throw a party for the world, but the hosts didn't enjoy it. The government didn't care about people's feelings because it was trying to create an image.
Widespread state control over art and culture has left no room for freedom of expression in the country. For more than 60 years, anyone with a dissenting opinion has been suppressed. Chinese art is merely a product: it avoids any meaningful engagement. There is no larger context. Its only purpose is to charm viewers with its ambiguity.
To the media, I have become a symbolic figure, critical of China. According to the government, I am a dangerous threat.
We see the tendency in the world to criticise democracy and sometimes even to say that authoritarian countries like China are more efficient. That is very short-sighted. China looks efficient only because it can sacrifice most people's rights. This is not something the west should be happy about.
Now the British are coming. I think Cameron should ask the Chinese government not to make people 'disappear' or to jail them merely because they have different opinions.
I think Chinese leadership is trying to tell the world they have another set of logic or reasoning or values which are different from yours. Of course, I don't think they believe that. It's just an argument that's made when you can't confront the truth and facts. They really want to maintain power.
I don't think it's worth discussing new directions in the context of Chinese art - there were no old directions, either. Chinese art has never had any clear orientation.
One thing I've learned, in the face of all kinds of indignities, domestic workers take so much pride in their work and love the children they care for.
Domestic employees are at the whim of their employers.
I was born and raised in New York, but my family on both sides is of Italian descent.
I don't look at her like she's a bad girl. She just misunderstood sometime, she's a little troubled, she's a little dysfunctional. She's a survivor.
I went to a college in New York called New Paltz. I studied theater there for four years. I also studied privately in NYC with a teacher named Robert X. Modica.
I'm the worst person about publicizing myself.
There are some people who're all doctors. Is it genetic?
When I made my Broadway debut, I was still cleaning houses, something I'd done since I went out on my own at 15.
I think people should be proud of the work they do, whatever it is. I have this other arty side that loves creating homes. I can be happy going to the hardware store.
Well, I came the second year. I mean I just fit right in. They wrote a great person and I'm so lucky that I got to be part of the family.
It's nice when people approach you to help.