Quotes

In the theater, you act more of the time. In the movies, you get to act maybe 20 or 30 minutes of the day. I love acting in movies. It's just different.

I just love Rome. It really does cast a spell on you.

I've had a relatively charmed life. I loved to be out in the city. New York was my town. I've had people come up to me and say, 'You're a great New Yorker. You've given your time and money to so many New York charities. You're a great supporter of the arts. I like some of your movies - and some of your movies suck, actually.'

I won every award you could win in television. I got paid well. And people loved '30 Rock'. And I loved '30 Rock'. I mean, sometimes you do a show that's a hit show, and you hate it.

I love oddballs and nerdiness, and it's a fun world to write in.

Like, the idea that I had to spend the rest of my life behind a desk and not be able to express myself the way I wanted to express myself. To me, that is torture. I mean if people out there that do love that then more love to them, but it just wasn't for me.

When I was sixteen, I was an absolutely romantic guy. I fell in love every week. I mean, I was in love with everybody, but unfortunately, nobody was in love with me.

I love Sam Mendes, but I went to see 'Spectre' with my kid, and the opening scene of the Dia de Muertos party, with this kind of tropical music, in downtown Mexico City, with all these people dancing like it's the Rio de Janeiro carnival... I had to laugh.

I love Eric Clapton.

When we are looking for validation, that will never satisfy us. When we are looking for affection, for love, a little bit of that will be enough to be complete.

The cavemen, when they saw the antelopes, they had to scratch them on to the caves because they needed to express the immediacy of what they were being affected by - and I love that. That is why I do what I do. I need to express myself.

I love the three-act theory. It works and works beautifully. But you don't necessarily have to structure a story that way: Cortazar and Borges wrote in different structural styles.

I don't want to just love my family; I want to love all of humanity.

'Santa Sangre' is the picture I love the best, myself, because 'El Topo' and 'The Holy Mountain' I made with my head, and 'Santa Sangre' I made with my feelings, with my heart. It's an emotional picture. And it's more real for me, that picture.

I say, 'If somebody steals something of yours, then it's good; he loves what you do.'

What's important is to give your ideas to the world if you love the world.

I wanted to be loved by my father. I could do anything to be loved by my father.

All my life, I have never found a person who really loved this world. Every person hates the world, how he is.

The love for this country that I learned from my parents made the January 6 attack on the Capitol all the more horrifying.

I've always loved to paint - I was studying to do an art degree when I was approached to become a model - and I've being doing some design work as well. I also love just having a quiet time, sitting in my little library at home in Brooklyn and reading or watching documentaries or listening to music.

I love cooking. I love having friends around.

I would love to continue to model but also have a family.

I think children in general have a very hard time - at least I did - expressing any pain because I didn't want to hurt the people that I loved.

When I was a teenager, if you'd asked me, I would have said I was in a relationship with New York City. It was my first real love.

I do have a sense of displacement as constant instability - the uninterrupted existence of everything that I love and care about is not guaranteed at all. I wait for catastrophes.