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That's the great thing with the WWE. They want you to be like John Cena, they want you to be like The Rock, and they definitely give you that platform.
Sometimes I feel like if I'm not getting people to boo me, then I'm not doing my job right.
If we're talking about guys who set the tone, you've got to go way back. But if we're talking about guys who made it possible for guys like A.J. Styles, Shawn Michaels kind of opened that door, along with Daniel Bryan.
Wrestling in Japan, obviously, the fans are a little bit different - very quiet, very respectful in New Japan - but here in the WWE, these fans are going nuts.
I hope to have more than one main weapon. I have the Phenomenal Forearm as we're calling it now, the Calf Crusher - the Styles Clash is still available. I like to have a lot of alternative moves to hit people with, and whatever seems to work is what I'll go with.
There's a couple guys that I'd like to wrestle, but truthfully, I want to wrestle as many guys as I can.
Shinsuke Nakamura is probably one of the best wrestlers I've ever been in the ring with. He's very unorthodox. Everything he does is with knockout power. He's a guy who is very flamboyant, so don't let his Michael Jackson antics fool you. This guy is deadly.
At my house, it's an, 'If dad says it, you can say it' kind of deal, so a lot of my slang words come off very childish at this point in my career.
The WWE is based on, I think, reaction. You know, if you can't get a reaction, that means you can't put butts in the seats.
I think the thing that I get most excited about is the fact that I know I'm gonna have a great match. That's when I get the butterflies. When it's just a regular match or something like that, I may not get that.
Everybody either hates or loves John Cena; there's no medium. I feel like that I've accomplished something when I get people to cheer for John Cena. I feel like I've done something.
You just remember back when you were watching as a kid and going, 'Man, Sting's so cool,' and now I'm wrestling the guy. It's breathtaking.
In March 1950, in New York City, I was married to Marietta Soffer. We have three children: Vilhelm, Tomas, and Margrethe.
Both for my wife and myself, the personal friendships that have grown out of scientific contacts with colleagues from many different countries have been an important part of our lives, and the travels we have made together in connection with the world-wide scientific co-operation have given us rich treasures of experiences.
I have been connected with the Niels Bohr Institute since the completion of my university studies, first as a research fellow and, from 1956, as a professor of physics at the University of Copenhagen. After the death of my father in 1962, I followed him as director of the Institute until 1970.
I stay true to myself and my style, and I am always pushing myself to be aware of that and be original.
I see myself as sexy. If you are comfortable with it, it can be very classy and appealing.
All I can do is leave it in God's hands and hope that my fans feel where I'm coming from.
I want people to remember me as a full on entertainer and a good person.
I think it's important to take a break, you know, from the public eye for a while, and give people a chance to miss you. I want longevity. I don't want to get out there and run myself ragged and spread myself thin.
You have to love what you do to want to do it everyday.
Keep working hard and you can get anything that you want.
If I don't think about it, it won't drive me crazy.
I'm the interpreter. I'm the one who takes your words and brings them to life. I was trained to sing and dance and laugh, and that's what I want to do.
It's hard to say what I want my legacy to be when I'm long gone.
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