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I don't want to hit a point where I feel there is nothing to improve upon - there always is.
I think if the desire to improve what I do starts to plateau then what's the point.
I think I learned very quickly after I started putting out music... you just learn that people are going to take what they want and make it fit their agenda or make it fit their interpretation. And you make peace with that or you suffer forever.
I've always recorded at home. That's been part of what it's about to me. I've never been the kind of guy who rents a studio.
I just write notes all day on my phone, and when I write songs it becomes a patchwork of these smaller notes that I had, mixed with stuff in the moment.
To me, it seems more realistic to my thought process when things feel a little scattered in the lyrics. Being disjointed is not that abstract of a thing when I think about how my brain works - I feel like it's almost more realistic. That's how my brain works.
MCs are authors, and rock musicians who write lyrics are authors, to a degree.
People don't stress enough that when they're writing lyrics, they are writing.
Drawing and visual arts was kinda my first passion going all the way back to when I was a kid. I always felt like it was what I was supposed to do - but in reality I don't know that I ever had the skill to make it a profession.
I would love for my existence as an artist to be completely about my art - not about my social media, or what I do vs what's cool right now, or even whether or not I sound okay in an interview.
I just think I want my work to represent me fully.
I love the playfulness and braggadocio that accompanies a ton of rap music - that's basically what makes up the foundation for most rappers. But there is nothing 'weirder' to me than someone who has never doubted themselves.
I never really planned on being a rapper, I just kinda did it and then people started liking it.
My collaborative albums are always way more enjoyable to make.
I remember thinking that 'Earthworms' wasn't really an 'album' to me, only because it felt like a weird collection of songs more than an actual project.
I had written rap songs in the early '90s and even did a couple homemade rap songs with my brother in like '88 or '89, but it was just like... I don't even know how to say it. Just plain rap. I was just rapping about whatever, there was no real style or direction, it was just semi-braggadocious rhymes that probably imitated 100 other rappers.
I went to college in '94 and started freestyling a lot more and hearing how others did it, hearing styles from other regions, all of it. Met Blockhead there.
When I do solo material I definitely tend to overthink it. I make a lot of rules for myself that are a little bit arbitrary and... it's just painful.
I love 'Black Mirror.'
I like to just hear people talking and TV is a quick way to hear different periods and genres. It's just interesting to me. I'm pretty easily amused with that kind of stuff.
I'm not interested in hearing yet another rapper tell me why he's the best. Why not tell a story set in a specific time and place? Create some characters, add a little bit of action and you're good to go.
I don't really regret much of my music life.
Trust me, you can't change anything without causing some degree of disruption. It's impossible, that is exactly what change is. Some people are uncomfortable with the disruption that change causes, but the disruption is necessary if anything is going to change.
I learned that I can't save the world, but I can help a child at a time.
Black history won't stop no bullets.