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Of course, De Niro has had a long history of memorable performances. Everyone knows 'Taxi Driver' and 'Raging Bull,' but 'Awakenings' really did something for me.
I have been a performer for as long as I can remember. I performed in Sunday school and church plays.
Ingydar was the name of my great-aunt Becky's horse, who passed away when I was a kid.
A lot of our creative flow comes from a place of curiosity and exploration. It often feels like we're excavating and asking questions and not just giving answers but really just exploring.
Everything is fleeting and passing and impermanent in life. Relationships, people, our finite physical forms... We let go of our childhoods, we let go of different parts of our body, we lose elasticity in our skin, and we lose hair and we lose teeth.
When you're playing music and you're starting to expose yourself for the first time, there's nothing more powerful than being listened to and being actually heard.
The acoustic guitar is my first love, I've been playing since I was a kid, and I feel the most at home when I'm sitting with an acoustic, I just love it so much. It changes my heart. I love the vibration and frequencies and the resonance.
I'm attracted to wilderness in any sense. Which is why I'm attracted to New York in a way, because I feel like it's a wilderness of people and textures. Just like, there's so much life and richness here. And you can get lost in it.
We were still quite religious until I was about eight or nine. Then I watched my parents take a dramatic turn and discard all religion.
I was born into a religious cult in Indianapolis, straight up. They had an apartment complex in this one area, and there were all these rules. My parents met through church and got married really shortly after, when they were both searching for connection and meaning, just like everyone is when they're 20.
I've felt since I was a kid this desperate longing to be closer to - I don't know what. Just to something bigger, to be in conversation with the mystery of everything.
There's a fullness that happens when someone is focussed on you. For me, if I'm being fully looked at and paid attention to and seen, I'm filled up by that.
I think I'm learning how to release every day. Recognizing that everything you encounter, touch, or love can become part of you, and in essence never disappears, as long as you can recall it to memory or heart. It's all so connected that we lose everything, but also, we never lose anything.
We lived in 14 different houses until I was 8, renting here and there.
I feel like there's such ancient pain in us as humans. For instance, we come from this patriarchal lineage where women have been oppressed, and we're feeling, I think, collective pain from these energies being so out of balance.
It's about surrendering to this feeling of utter fragility, and singing through the volatility of it all. The earth is unstable, and I'm part of the earth. I can feel it coursing through my own body. I feel the energy of everything, flickering. Let's just sing together.
It's like, the more you zoom in and focus on the details, the closer to the invisible and immeasurable qualities - like consciousness and energies - you get. And expanding outwards, into the cosmos, you learn more about the invisible or perceptible things.
I really love crafting albums and thinking of albums as a whole, not just individual songs or singles or just tracks, but a whole entire album.
When I was born, my dad was playing music, so I'm pretty sure he was singing to me in the womb. I was born into music, in a way, because he was playing acoustic guitar. I was around an instrument growing up.
We all need ways of processing things. I think I was called to music because it was this thing that was always there for me that I could pour my heart into safely.
I feel that performing is its own art form, and recording is its own art form, and writing is its own art form, and that they all can happen simultaneously but at different paces.
When an audience takes to a song and it becomes older, in a way it changes it entirely. And then the journey just begins.
The first song I wrote, when I was 8, was about feeling really angry - like the weight of everything on my shoulders.
My dad was basically my manager from ages 13 to 16. I was on this train towards becoming a child pop star. Not that I would have necessarily become a star, but that was the goal.
I don't like it when religions take it to the point where they discredit all other religions, because how could one sector of people have figured it out and know that that's it? But I do think that there's so much beauty in a lot of the stories or scriptures.