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London is a vast, complex city designed by the same guy who created the Habitrail.
Coachella is a magnet for music-biz luminaries such as Tara Reid, Paris Hilton, and Cameron Diaz.
I think one of the pitfalls of doing your own music is that sometimes you can never be satisfied with it: you're afraid to say that it's done, and you keep reworking it or re-recording it or re-writing it.
With the TV stuff, we usually hand in final, finished tracks. The turnaround time is so tight that there's no time to demo anything; you just do it.
I started taking piano lessons when I was about 5, and there was always a lot of music in my family: my parents both play instruments, my grandparents were classical violinists, and my grandfather was actually a music professor and a conductor.
The nature of the music business is such that it's better to have a few chances for some things to be successful than just one, and that's kind of been my attitude all along.
When you're writing for a show, you're writing part of the script. You have to tell the story.
I think with musicals, it's much more part of the script. They don't want songs that would stop the show; they need songs that keep the plot moving.
Cheap Trick has played with every band on the planet.
The Ting Tings have been a huge hit in my family. I have two young daughters, and both of them love that record, so I pretty much have to listen to that ten times a day.
I don't know if there's a particular project, but one movie that I was really disappointed I didn't get to work on was Judd Apatow's 'Walk Hard.'
Your job as a producer is to make suggestions without putting your ego in front of everything else. Also, I think you want to focus on that artist's best qualities and really highlight them.
Most of the jobs I've gotten are from people calling me. I don't actively solicit a lot of work like that, but maybe I should.
I am not very regimented unless I have to be. I wish I was someone that could just write every day, but I tend to work on specific projects for a specific period of time and then stop.
Either I need an assignment with a strict deadline - like something for a movie or a TV show or whatever - or else I need to create a made-up deadline for myself for my own records. Otherwise, I don't write anything.
I normally write on acoustic guitar, although piano is the instrument that I actually studied. Occasionally, I'll write on the piano or sometimes with no instrument at all.
I generally prefer to come in to the studio with a fully written song and then work on the arrangement with the band. Sometimes even the arrangements are pretty much already worked out in my head, but other times we experiment.
Really, music is what I'm interested in, and the lyric part of it came from just having to have something to sing.
I think when we were starting out, it was more about imitating our songwriting heroes. We would try to write songs like Neil Finn, or we would try to write songs like Ray Davies, or we would try to write songs like Glenn Tilbrook.
It would probably be better if I got involved in fewer things just because I'd have more time to write for my own purposes... But if somebody calls you up with a really cool project, it's hard to just say 'no' because you don't feel like working.
The truth is that I don't work any harder than anyone else in the world. I don't work 18-hour days. I don't stay up until 4 in the morning trying to finish a line.
I'm just like anybody else: I have stuff to do in the day, whether that's writing a song or recording a song. I try to treat everything I do as just work.
It's always been my philosophy to keep a lot of balls in the air. With music, most things don't pan out, so you try to increase your odds by being involved with a million things at once.
I'm not comfortable as a lead singer. Maybe I could do it in the studio, but I wouldn't have the confidence to play shows.
As far as base humiliation goes, acting is a tough business. It's a tough, embarrassing thing to do for a living when you're starting out, and you better not have any ego or pride, because that will be wiped away clean by utter devastation.