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Michael Lewis has the amazing ability to take complex formulas and concepts and turn them into page-turners.
Nowadays, the truth is, I think a lot of the newer generation of action stars usually are pretty self-deprecating and cool. I mean, Dwayne Johnson is a great example.
I'm a huge hip hop fan going way back, like, back to '83. I had my Gemini mixer listening to Run-DMC and Kurtis Blow.
If you go back and watch 'The French Connection,' it's been cannibalized so many times. There are certain movies like that, where you see the original and think, 'This isn't so great.' And the reason it isn't so great is because everyone has copied it.
There are many aspects to directing that have a romantic place in people's minds.
It's just funny that Americans have to contend with 2000 channels, and 60 different specific news sources, and the confusion that it creates, and the junk that we get to see is hilarious.
You need the audience to go on the ride with you. You can't just isolate them.
'Step Brothers 2' would have been fun, there's no doubt about it. Maybe someday. Does that idea age? I don't know. It all depends on how the movie ages.
That's always the trick with the sequels, is how much do you repeat from the first one. Because we all get bummed out when you go see a sequel and it's beat for beat.
Having two kids, I don't get out to see stand up much anymore.
As far as how much you listen to the audience, you listen to them when they really hate something.
If you make action movies, the critics will savage you, and then your movies are outdated the following week with the new wave of special effects.
I love action movies.
Actually, 'Wayne's World 2' I kind of liked. I think 'Wayne's World 2' does have some creative things in it, some ideas in it.
Basically, we used to have a rule at 'Saturday Night Live' that you're not allowed to bring up 'The Simpsons' at the rewrite table, because 'The Simpsons' has done every joke there is. Every week there would be guys going, 'The Simpsons did that.' I go, 'C'mon.' And 'South Park,' too.
A dry stretch of commentary in the middle of an 'Anchorman' movie would have been a terrible thing.
If you look at 'Avatar,' could you imagine if you did 'Avatar' for 50 million dollars? It would be ridiculous! You would almost be getting laughs from the audience, unless you got a real indie director to do something incredibly stylised.
Sony is the coolest studio. They are really amazing. I think part of it comes from they're not an American corporation. They don't work by quite the same rules. And their studio heads have a lot of autonomy.
I would never do 'Stardust Memories' because I don't particularly like that kind of movie - that would be why I wouldn't do that.
I always say the classier cousin of 'Anchorman' is 'Mad Men,' because when you really look at it, why do people really love Don Draper in 'Mad Men?' He's just a terrible guy. But we know why he's terrible, and I think that's really key to why you can be sympathetic to a character.
You have to be able to fail with the improv. You have to not care.
When the movie starts playing on TV and DVD, that's when you really see what the movie is.
I was shocked when 'The Hobbit' ended where it ended. I wasn't paying attention to what they were doing; I didn't know they had another movie, and I couldn't believe it was when the dragon came out.
When I was at 'SNL,' I would constantly get in arguments, 'Why aren't we more political? We're not going after Bush.' Then look what happened - that Sarah Palin season, they were on fire. It was about something.
Friends give me a hard time about the pants I'm wearing, which are made in China. Well, how do you find the right clothes? Or the right movie studio? The right people giving you checks? Good luck doing the right thing all the time.
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