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The trains were the beating heart of the New York graffiti scene.
The city fought a $300 million, 18-year war on graffiti. New York Mayor John Lindsay declared war in 1972, and the battle for the transit system came later.
My daughter is a very adventurous eater. I'm not the guy who sits around lamenting that all my kid will eat it is Tater Tots and chicken nuggets. With my kid, it's more a capricious and whimsical decision-making.
If anything, I was a prodigious eater of everything that was put in front of me. That was probably the only thing my parents wouldn't complain about.
I would like to think that I curse expertly - it's not something that I do without considering it. I never curse without intending to; it's not something I resort to because of inability to articulate or find the correct word.
I've probably done more than a thousand interviews, and I can't remember what people asked me two months ago or two days ago.
While I'm working, I stick with music that won't distract me - the dub stylings of Scientist and King Tubby, maybe some Beethoven string quartets.
A good cookout ought to last at least six hours; if you haven't eaten and gotten full and gotten hungry and eaten again, you're doing something wrong.
America has not produced a more salient political musician than Gil Scott-Heron.
'The Pushcart War' is presented as a history of a conflict that has not yet taken place; in each edition of the book, the date on which the hostilities commenced is nudged forward.
There is perhaps no better way to appreciate the dizzying stupidity of the United States than to chat with 25 consecutive morning radio hosts.
For me, most of the anxiety and difficulty of writing takes place in the act of not writing. It's the procrastination, the thinking about writing that's difficult.
I came up in hip-hop, where people value the ability to tell it straight.
Graffiti has an interesting relationship to the broader world of hip-hop: It's part of the culture, but also in a weird way a stepchild of the culture.
For me, graffiti writers were always the fascinating eccentrics of hip-hop culture. What they do is secretive by definition, and not remunerative in any way.
When the kid goes to bed, you get a little bit of time for yourself and maybe your partner, so being delayed in that departure can be particularly frustrating.
Fundamentally, I'm profoundly influenced by hip-hop, so whatever I do is going to bear that seal.
To be a white kid into hip-hop meant you'd sought it out and you practiced the art. Which meant dedication and diligence, as well as removing yourself at least occasionally from your own comfort zone and circumstances, and from people who looked like you.
Of course, the opposite of white privilege is not blackness, as many of us seemed to think then; the opposite of white privilege is working to dismantle that privilege. But my particular hip-hop generation proved to be very serious about figuring it all out and staying engaged.
My wife likes me to point out that she puts our daughter down to sleep more often than I do, which gives me time to write stupid books about it.
No one in my family has been observant for generations, but we all identify with being Jewish.
Being Jewish is a big part of my artistic sensibility and my humor... I think it gives me a certain take on the world on a literary level.
Benito Mussolini created the word 'fascism.' He defined it as 'the merging of the state and the corporation.' He also said a more accurate word would be 'corporatism.' This was the definition in Webster's up until 1987 when a corporation bought Webster's and changed it to exclude any mention of corporations.
You have a guy like Bernie Madoff literally steal $80 billion, you know, AIG steal hundreds of billions, Goldman Sachs. Crime has changed so much, and to really do a movie with, like, drug dealers or drug smugglers is kind of almost quaint at this point.
Creative freedom is a huge carrot.
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