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When I was a kid, the Patriots were my team, but I didn't really care, you know what I mean? I got taken to a game once by a friend and it was the coldest I've ever been in my life. It was torture.
I mean, Philadelphia, if the Eagles were to win the Super Bowl, you kind of wonder how it'd change the city in some way. At the end of the day, as intense as Eagles fans are or as Philadelphia fans are, they really just love their team and they'll be happy either way. The Eagles have made Philadelphia proud.
I love Tom Petty the way a lot of people love him. He's got so many amazing songs, and you know them by heart. They're classics.
I think from an East Coast point of view, you'd be like, 'Oh, a California record's a sunny record.' It's like you spend three hours in the studio because the rest of the time you must be at the beach.
I ended up renting a studio in L.A. for about 15 months. Starting in January of 2016, some of the guys in the band were coming out once every five to six weeks for like five days a time.
Everyone hears a song a different way and hears timing a different way.
It's cool that our stuff is received as it is, and our stuff is fairly long. But from a songwriter's purview as well as an exercise, I'm trying to write shorter material and find ways to condense ideas.
I like that kind of classic-type sound. A lot of my favorite albums were tracked live, with a four-piece band. I love the way those albums sound, but I want to make records that sound like that in the way I like to make stuff.
I'm really picky about stuff like videos or even pictures of the band, but at the same time, I don't really know what it is I want; I just know what I don't want.
No I don't play bluegrass harmonica or anything like that. I don't listen to country or bluegrass records.
When you're in the moment and not over thinking the song is when things tend to really work. You're not so focused on the minutiae. You're focused on the overall feel, and that's the stuff that I get from the demos.
I try to take whatever I can from the songs I grew up listening to, these vibed-out pop numbers, and make them my own in some weird way.
I try to just keep chipping away at, you know, this little idea you may start with and then work on something for seven, eight months. Eventually it just kind of turns into something.
If I improvise vocals at an early stage of the song, I just kind of listen to the roll, and then I kind of have a little vocal hook.
Not everyone who writes about you is going to be a fan of your music.
With 'Under the Pressure,' I just found two chords I liked, and built it up, did like a ten-minute drum pattern.
Touring is a rough thing. You don't have any time to look around or stop and think if what you're doing is making you happy. The more you tour, the better the band gets, and you get caught up in a lot more things than just traveling.
As he grew older, his material was just as relevant and just as exciting and the band's just as killer... It seems surreal that there's no more Tom Petty, in person.
Somewhere between this kind of cruising freedom, and this understated moment where all these little things intertwine to create a bigger sound. You don't want one thing to be bright, or too prevalent.
I'm still undisciplined in the fact that I'm not writing anything down. I just get these lines and start piecing it together and then going back.
When you make a record, you get to live in an imaginary world where you have the best kind of band on every song.
There are so many great records that when you grow older, you're like, 'Oh man, this is the best record ever made.' And you're like, 'Oh it didn't get nominated or win a Grammy.' It's countless, how many amazing, classic American records haven't been knighted or whatever.
I was the guy who didn't get a cool little apartment. I took one for the team. I liked having the place we could make noise in, the place that could be the center of the music. I sat down and calculated it one day, and over the years, I've had something like 38 roommates.
When I learning to write songs, I never really was interested in the chorus.
All day long you write little ideas on the piano and the guitar, but sometimes all you have to do is come in, set up the mic, press record and start the process.
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