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It's the same thing that drives people to want to experience sexual pleasure or have one too many drinks. We all want to experience the other, and to get out of our daily existence.
You're going through the horror of it, you're going through the isolation of it but you're being empowered by reminding yourself that you're connected to everybody else.
I think in the case of horror, it's a chance to confront a lot of your worse fears and those fears usually have to do, ironically, with powerlessness and isolation.
We all look to have transcendent experiences that lift us out of the everyday, and fear is a good one. But, I think it's the same reason why people want to laugh their heads off.
I can't imagine that I would have been cast in the role, without Jamie Lee giving me a thumbs up.
It's a lot of work and I also feel like I've done it. I miss comedy. And I also think that, from purely a logistical standpoint, that the day-to-day schedule on a comedy allows you to have a life, much more of a life, than on a drama.
I really would have been stupid not to have done it. It was also a film that was actually happening, I mean, Miramax was doing it, and it had a kind of legitimacy to it. And once I read the script, I was there.
It's amazing that this is still news to people, but that affects the final outcome of the film. When people are treated well, and they're made to feel valued, they give 110 percent.
First and foremost, it was fun. Everybody involved with it made you feel like they were an important contributor to the process. We were made to feel valued.
My heroes are the camera crew and the electricians. They work such long hours.
I'm like a fungus; you can't get rid of me.
Stillness as a technique is still really captivating to me.
I'm not much of a jokester.
You get a sense of how the show works and then let your personality take over.
It was never the fame or fortune that drove me to act. It was something I love and enjoy doing it. A lot of people identify who they are by what they do and that's not me. It's what I do but not who I am. Who I am is a parent. I'm a family man.
I just consider myself a piece of the puzzle and I'm lucky enough to be asked or invited to the party, if you will. I hope I can bring some laughs and grimaces to the fans.
The guys I grew up with, my cinematic heroes, have always been men of few words, but of action. Clint Eastwood, Eli Wallach.
I tested for a couple of pilots, but they said I was too tall.
I was involved with drama departments since the 5th grade. I played at it. It was an escape.
A lot of the television industry is so cookie-cutter. In general, there are so many shows that are easy and bland to watch. You can tune in at any time and know exactly where you are in the story arc because it's pretty much the same every week.
The only people who have control over their careers are the ones you see on the covers of magazines. Everyone else is just plodding along making a living. The key is not to live over your means and overdo it.
What I try to do is to appreciate every job I have while I'm working on it.
I'm always looking, as an actor, for activities. I think it's far more interesting to watch what people do than what they say. You always want to watch behavior, because the dialogue as written by our illustrious leaders is great. Eminently playable.
I think work begets work.
I always did think that when I turned 40, I'd start coming into my own.
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