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I always thought that one day I would be somebody. I would be successful in music, and I would have fans that cared about my music. At the same time, I really feel like an ordinary guy; I have been an ordinary guy forever.
What's weird is the Hot Boys and the whole New Orleans Cash Money thing had a really big impact on the Bay when that was popping off. I don't all the way understand it. I mean, I know that they were big everywhere and had a lot of commercial success in the mid to late '90s, but they were really, really felt in the Bay Area.
I don't want to be a small-time, independent, successful rapper.
What costs the world to you as a working kid fresh out of college costs nothing to you as a successful musician.
My grades put me in about 5,000th place in all of South Korea. If I kept going down that path, I would've become a successful man with a regular job. However, I was positive I'd be number one in the country as a rapper. So I asked my mother whether she wanted to have a son who was a first-place rapper, or a 5,000th-place student.
BTS as a group sort of took off with the success of our 2015 album that had our hit single 'I Need U.'
I do hope the success of 'Ms. Marvel' will open doors for other characters and other creators.
Things that are like overnight success things don't last long, and that's not something I wanted.
The thing is, when I had my first success it did coincide with the end of my first marriage, and because I went on to have a very, very unhappy two years, I don't think I equate career success with personal happiness.
I still have lots of friends from my pre-success days.
I could've always worked shows, clubs, Las Vegas and Atlantic City, but I was successful in business ventures, and things weren't happening in show business, so I said, 'Let me see what I can do.'
Sports psychology suggests - and we as players have been taught - that negative self-talk can diminish our chances for success and that the opposite is also true. Given the talent, we can also think and speak our way to success.
Confidence, it turns out, is as vital to a players success as is talent.
Watching Clayton Kershaw in the very first game of the 2014 season, I realized that he's not overpowering; he's deceptive. It's the sum of his parts that makes the Los Angeles Dodgers ace baseball's most successful pitcher.
The PC is successful because we're all benefiting from the competition with each other. If Twitter comes along, our games benefit. If Nvidia makes better graphics technology, all the games are going to shine. If we come out with a better game, people are going to buy more PCs.
Most people who end up being successful have good grades, but it's orthogonal - there's no extra information than if they put together a website and have bunch of fans who love coming and seeing what they're doing.
Traditional credentialing really doesn't have a lot of predictive value to if people will be successful.
With success comes responsibility of playing your part, to do what you can to help not only those that helped you get to where you're at, but the future of who's going to be playing a part of your business and everything you do in your entire career.
Half of my success is my fearlessness and recklessness - of just seeing the end and not stopping until you get there.
Everyone always helped me out growing up, and everyone now supports me Sunday. So whenever there's a chance to give back, to the community, to the less fortunate kids so they have the opportunity to gain the most potential they can in their life to be success, it's always good to do.
Growing up as a kid, I watched Jeremy Shockey... Tony Gonzalez... Antonio Gates. I looked up to them. I watched what they did to be successful.
When I first started out, I kinda just wanted to do comedy stuff, and thankfully, I had a fair amount of success. I've been able to be on, I think, almost virtually every American sitcom.
More power than all the success slogans ever penned by human hand is the realization for every man that he has but one boss. That boss is the man - he - himself.
When I took over 'New Mutants,' writing and drawing, and I figure this is a big deal, I'm 23, 22 at that time, and I am nervous because I've had nothing but success. And now they're giving me the entire platform to create. And I figure, if I fall flat on my face here, it's going to hurt. It's going to set me back.
All comic-book artists secretly want a successful television or movie project because of the wider audience.
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